Geddy Lee discussed what he believed was the secret to the success of Rush, saying their attitude to experimentation was behind their greatest achievements.
Last year he said their approach to writing albums had been their “biggest hindrance” to mass acclaim, though it had also been their “saving grace.”
“Rush was, in many ways, an ongoing experiment, so there were moments where the experiment achieved a kind of synchronicity and there are some albums that end up being arrival points,” Lee told Premier Guitar in a new interview. “Moving Pictures, Permanent Waves and even Clockwork Angels to a large degree are those kinds of albums.
He accepted that his experimentation with his bass guitar settings wasn’t always successful. “I was always fucking around with my sound in one way or another,” he said. “Every time I thought I was plateauing, I would change something about it … which can be good and bad. That’s one of the dangers of being a progressive musician: You move past something you maybe should stick around in a bit longer because you’re busy searching for that next thing, that improvement. … So always, as a band, the three of us were looking to improve from the last piece of recorded work.”